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There, to a frenzied soundtrack, McCartney’s post-confinement women stomped ferociously around Full Moon Circle, an imposing planetary Richard Long work that resembles austere moonstone. The spectacle evoked images of paganism, like some Mother Nature–worshipping séance for our post-pandemic environmental awakening. If witchcraft has historically been loaded with an almighty sense of female-gaze sexuality, McCartney’s collection came full circle.
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